FROM THE DESK OF
Roben Jones
Longtime 95 WKAZ listener
Dear Mr. Callebs,
This letter is in response
to your WKAZ website and your request for remarks, comments or memories from all
who were fans of the station and visit the site.
You are providing a true
public service for everyone fortunate enough to have grown up in the golden
years of Charleston radio.
My sister and I are
natives of eastern Kanawha County and were devoted listeners of 95 WKAZ when we
lived there. Later when our family moved to Gallipolis (Ohio) we still
continued to listen. It was like a voice from home.
I am a published poet,
appearing in WILD SWEET NOTES: BEST OF WEST VIRGINIA POETRY (published in 2000)
but my real passions have always been music and radio. I myself had a short
career at WMOV-AM in Ravenswood, West Virginia. I had the morning show and I
tried to make it as much of a quality show as I could. My direct inspiration --
my tutors, you might say -- were the announcers in the glory years of WKAZ.
Our memories of WKAZ begin
in November 1967 when we first became aware of the station. Around January
1968, WKAZ's affiliation switched to American Contemporary Radio (an ABC
outlet). The ACR news breaks came at the top of the hour (with local news on
the half-hour) and were preceded by a distinctive "beeping" tone. I hope you
will be able to get a sample of it. They carried Paul Harvey at 12:30 pm and
6:00 pm, and Howard Cosell's "Speaking of Sports" at 5:30 pm. The weekend ACR
newsman in New York was Ted Koppel.
At that time the morning
man was Joe Copley, but he soon changed shifts with the program director Mike
Hammer who had worked mid-days. Copley had a soft-spoken on-air style. Very
mellow. Later we recall he became the news director for a while, but in early
1968, the news director was Larry Gibson. In addition to the news, WKAZ
featured morning and evening traffic reports phoned in by the news directors
from the station's mobile vans, "Big Red" and "Roving Old Blue".
Mike Hammer was PD until
the fall of 1972. I've heard he later became an insurance man. He was the Rush
Limbaugh of Charleston -- not irreverent like Al Sahley later would be, but
satirical, aggressive and deeply cynical. An example would be how he handled a
1971 public service ad inviting all West Virginians to "come home and
vacation". "Great", Hammer snarled, "but will there be any room left for those
of us still living here?"
When Joe Copley retired
from on-air work in 1968, Jim Little came in. His first show was on April 1,
1968. He introduced himself to the audience and right away you knew he was
special. What he gave the station, quite simply, was class. He set the
standard for good taste in music and announcing. Little seemed to have a
tremendous rapport with Hammer, and they were almost a two-act. Jim Little was
the mid-day man and often worked Sunday afternoons until November 1968 when he
replaced Bill Blake as drive time announcer. Jim Little held that shift until
leaving for WCHS in March 1971.
"Governor" Bill Blake was
my own radio hero and inspiration. I hope you can get some tapes of his 1967-68
satirical "gubernatorial campaign". He tackled targets with those jingles even
the crusading Charleston Gazette was afraid to touch. And he could create moods
with the slightest inflection of voice. When he did an occasional Sunday-night
shift in 1968 he devoted the 10 pm - Midnight hours to love songs exclusively,
and his narration tied it all together. Bill Blake was the 60's rebellion come
to Charleston.
The evening man, 6pm to
Midnight, was Jay Jarrell. He was wild. His shows were a combination
request-line and call-in talk show, with the raucous "Night Train" as his
closing theme. Jay was there until the fall of 1970, when he was replaced by
Ric Robinson. Ironically, Robinson left in March 1971 to go to WXIT where
Jarrell was already working.
In early 1968, "Loveable
Sam" Rivers (Amy Johns) was on the overnight shift, midnight til 6 am. She's
never gotten the credit she should have as one of West Virginia's first female
radio announcers, and as a role-model to other young women who wanted to try
their luck in radio. Her voice was both elegant and sprightly, friendly yet
sophisticated. In March 1968 she went to WGKV (which became WXIT) and Lovell
Webb replaced her. Webb was almost pure country, but his exuberance pulled
listeners in. He sounded as if he were hosting the hippest hoedown in town.
You would be remiss if you
forgot the man-of-all-work at the station: Jim Byard, the voice of "Granny".
Byard did sports, news, and later a Sunday night show that lasted until he left
in November 1971. He and Bill Blake did live coverage of local high school
football, and startlingly original commercials for sponsors like Classic Shoe
Store and Robert Long's Hobby House. I hope you can find some of these
commercials, as well as the more serious ones Byard did on his own, like the
1968 Admiral TV ad "Winter Windfall". That ad was everything a good radio spot
should be.
In 1968, WKAZ hired Larry
Stevens from Winston-Salem, North Carolina. Stevens left Charleston the next
year and was replaced by a Texan named Johnny Goin who left WKAZ in 1970. Rich
Hunt was hired in June 1970 and stayed until August 1973. He was dry and droll
on the air, quiet but given to ironically wry little remarks.
The WKAZ-WXIT "ratings
war" heated up in 1972. Both stations fought for the best announcers and music,
sometimes hiring the other station's employees away! Terry Lore, for example,
was a WKAZ weekend man in 1972; by the next year he worked mid-days at WXIT.
Cameron Keyser, their 1971-72 news director, was also hired away.
In 1973, the golden era
was almost over, and a "revolving-door" policy began. Al Sahley came over from
WCHS and Amy Johns came back for a while, only to be publicly and
controversially fired. Charleston newspaper columnist J.P. Rool publicly took
Johns' side. Frank George, "The Friendly Freak from Davis Creek" became the
midnight man and Bruce Clark, who'd worked evenings there in 1971 came back as
"King of the Kanawha River Valley". Al Woody (who still works at WQBE-FM) was
the mid-day man. Lovell Webb left for WXIT but came back in 1976 and stayed
through the early 80's. Rich Hunt had been doing drive time since 1971
(opposite Jim Little at WCHS) but Hunt left in 1973. Bill Radtke left WXIT and
did the Sunday afternoon show. Bill always featured two songs, no matter what
else he played: Carole King's version of "Will You Still Love Me Tomorrow" from
Tapestry and "Operator" by Manhattan Transfer.
In 1969 Jane Martin began
a 9:30 am - 10:00 am "features" show that lasted until she left for WCHS in
April 1971. The news directors at WKAZ during the golden era were: Larry
Gibson ('66-'68), Tom Ragen ('68-'72) and Cameron Keyser ('72-'73). During the
Ragen era, local news coverage was especially good as he practiced advocacy
journalism, giving much time to issues like coal-mine safety and the Miners for
Democracy movement. Ragen also conducted a half-hour news show Monday through
Friday at 6:00 pm , to which Jim Byard, Rich Hunt and Jim Little all
contributed. Occasionally, Tom Ragen pulled DJ shifts as "Randy Tolliver" or
"Jack Schack". It was as "Jack Schack" that Ragen was given an hour of
"progressive" music every Sunday evening at 9:00 pm in 1970 and 1971, taking an
hour's time from Jim Byard's show.
Another interesting
feature of the golden era was the "Pick of the Week", discontinued in 1969.
Although the "In 40" was a regular Top 40 playlist, other types of songs were
featured too, and each announcer made a weekly choice of a favorite song. The
choices often reflected the diversity of taste: Hammer was likely to choose
something from Henry Mancini, the Rat Pack or the British Invasion; Jim Little
selected the latest Jim Webb or John Hartford composition; Bill Blake chose
psychedelic or beach music; Jay Jarrell went for soul; Jim Byard liked
novelties or 50's remakes; Amy Johns chose everything from instrumentals to
soul ballads; and Lovell Webb would pick the latest crossover country hit from
Memphis or Nashville. Webb featured Memphis music a lot.
There it is, some memories
of two young girls who grew up on the music and the state-of-the art announcing
that was 95 WKAZ. Thank you again for the site and the memories it brings. We
hope this letter will trigger "much more music" and many more memories.
Sincerely,
Roben Jones and Jill D. Simpkins
Gallipolis, Ohio
submitted June 17, 2001